SHAKESPEARE SONNETS

BSCS/bsit WORLD LITERATURE

Just Pick and choose one of these Shakespearean, with accordance to your taste of course, and comment your chosen Sonnet in these blog for us to prevent choosing the SAME ONE in our class. Thanks. (my chosen sonnet is currently missing with the options below, you are free to chose the rest)

Sonnet 1. From fairest creatures we desire increase
Sonnet 2. When forty winters shall beseige thy brow
Sonnet 3. Look in thy glass, and tell the face thou viewest
Sonnet 4. Unthrifty loveliness, why dost thou spend
Sonnet 5. Those hours, that with gentle work did frame
Sonnet 6. Then let not winter's ragged hand deface
Sonnet 7. Lo! in the orient when the gracious light
Sonnet 8. Music to hear, why hear'st thou music sadly?
Sonnet 9. Is it for fear to wet a widow's eye
Sonnet 10. For shame! deny that thou bear'st love to any

Sonnet 11. As fast as thou shalt wane, so fast thou growest
Sonnet 12. When I do count the clock that tells the time
Sonnet 13. O, that you were yourself! but, love, you are
Sonnet 14. Not from the stars do I my judgment pluck
Sonnet 15. When I consider every thing that grows
Sonnet 16. But wherefore do not you a mightier way
Sonnet 17. Who will believe my verse in time to come
Sonnet 19. Devouring Time, blunt thou the lion's paws
Sonnet 20. A woman's face with Nature's own hand painted

Sonnet 21. So is it not with me as with that Muse
Sonnet 22. My glass shall not persuade me I am old
Sonnet 23. As an unperfect actor on the stage
Sonnet 24. Mine eye hath play'd the painter and hath stell'd
Sonnet 25. Let those who are in favour with their stars
Sonnet 26. Lord of my love, to whom in vassalage
Sonnet 27. Weary with toil, I haste me to my bed
Sonnet 28. How can I then return in happy plight
Sonnet 29. When, in disgrace with fortune and men's eyes
Sonnet 30. When to the sessions of sweet silent thought

Sonnet 31. Thy bosom is endeared with all hearts
Sonnet 32. If thou survive my well-contented day
Sonnet 33. Full many a glorious morning have I seen
Sonnet 34. Why didst thou promise such a beauteous day
Sonnet 35. No more be grieved at that which thou hastdone:
Sonnet 36. Let me confess that we two must be twain
Sonnet 37. As a decrepit father takes delight
Sonnet 38. How can my Muse want subject to invent
Sonnet 39. O, how thy worth with manners may I sing
Sonnet 40. Take all my loves, my love, yea, take them all

Sonnet 41. Those petty wrongs that liberty commits
Sonnet 42. That thou hast her, it is not all my grief
Sonnet 43. When most I wink, then do mine eyes best see
Sonnet 44. If the dull substance of my flesh were thought
Sonnet 45. The other two, slight air and purging fire
Sonnet 46. Mine eye and heart are at a mortal war
Sonnet 47. Betwixt mine eye and heart a league is took
Sonnet 48. How careful was I, when I took my way
Sonnet 49. Against that time, if ever that time come
Sonnet 50. How heavy do I journey on the way

Sonnet 51. Thus can my love excuse the slow offence
Sonnet 52. So am I as the rich, whose blessed key
Sonnet 53. What is your substance, whereof are you made
Sonnet 54. O, how much more doth beauty beauteous seem
Sonnet 55. Not marble, nor the gilded monuments
Sonnet 56. Sweet love, renew thy force; be it not said
Sonnet 57. Being your slave, what should I do but tend
Sonnet 58. That god forbid that made me first your slave
Sonnet 59. If there be nothing new, but that which is
Sonnet 60. Like as the waves make towards the pebbled shore

Sonnet 61. Is it thy will thy image should keep open
Sonnet 62. Sin of self-love possesseth all mine eye
Sonnet 63. Against my love shall be, as I am now
Sonnet 64. When I have seen by Time's fell hand defaced
Sonnet 65. Since brass, nor stone, nor earth, nor boundless sea
Sonnet 66. Tired with all these, for restful death I cry
Sonnet 67. Ah! wherefore with infection should he live
Sonnet 68. Thus is his cheek the map of days outworn
Sonnet 69. Those parts of thee that the world's eye doth view
Sonnet 70. That thou art blamed shall not be thy defect

Sonnet 71. No longer mourn for me when I am dead
Sonnet 72. O, lest the world should task you to recite
Sonnet 73. That time of year thou mayst in me behold
Sonnet 74. But be contented: when that fell arrest
Sonnet 75. So are you to my thoughts as food to life
Sonnet 76. Why is my verse so barren of new pride
Sonnet 77. Thy glass will show thee how thy beauties wear
Sonnet 78. So oft have I invoked thee for my Muse
Sonnet 79. Whilst I alone did call upon thy aid
Sonnet 80. O, how I faint when I of you do write

Sonnet 81. Or I shall live your epitaph to make
Sonnet 82. I grant thou wert not married to my Muse
Sonnet 83. I never saw that you did painting need
Sonnet 84. Who is it that says most? which can say more
Sonnet 85. My tongue-tied Muse in manners holds her still
Sonnet 86. Was it the proud full sail of his great verse
Sonnet 87. Farewell! thou art too dear for my possessing
Sonnet 88. When thou shalt be disposed to set me light
Sonnet 89. Say that thou didst forsake me for some fault
Sonnet 90. Then hate me when thou wilt; if ever, now

Sonnet 91. Some glory in their birth, some in their skill
Sonnet 92. But do thy worst to steal thyself away
Sonnet 93. So shall I live, supposing thou art true
Sonnet 94. They that have power to hurt and will do none
Sonnet 95. How sweet and lovely dost thou make the shame
Sonnet 96. Some say thy fault is youth, some wantonness
Sonnet 97. How like a winter hath my absence been
Sonnet 98. From you have I been absent in the spring
Sonnet 99. The forward violet thus did I chide
Sonnet 100. Where art thou, Muse, that thou forget'st so long

Sonnet 101. O truant Muse, what shall be thy amends
Sonnet 102. My love is strengthen'd, though more weak in seeming
Sonnet 103. Alack, what poverty my Muse brings forth
Sonnet 104. To me, fair friend, you never can be old
Sonnet 105. Let not my love be call'd idolatry
Sonnet 106. When in the chronicle of wasted time
Sonnet 107. Not mine own fears, nor the prophetic soul
Sonnet 108. What's in the brain that ink may character
Sonnet 109. O, never say that I was false of heart
Sonnet 110. Alas, 'tis true I have gone here and there

Sonnet 111. O, for my sake do you with Fortune chide
Sonnet 112. Your love and pity doth the impression fill
Sonnet 113. Since I left you, mine eye is in my mind
Sonnet 114. Or whether doth my mind, being crown'd with you
Sonnet 115. Those lines that I before have writ do lie
Sonnet 116. Let me not to the marriage of true minds
Sonnet 117. Accuse me thus: that I have scanted all
Sonnet 118. Like as, to make our appetites more keen
Sonnet 119. What potions have I drunk of Siren tears
Sonnet 120. That you were once unkind befriends me now

Sonnet 121. 'Tis better to be vile than vile esteem'd
Sonnet 122. Thy gift, thy tables, are within my brain
Sonnet 123. No, Time, thou shalt not boast that I do change
Sonnet 124. If my dear love were but the child of state
Sonnet 125. Were 't aught to me I bore the canopy
Sonnet 126. O thou, my lovely boy, who in thy power
Sonnet 127. In the old age black was not counted fair
Sonnet 128. How oft, when thou, my music, music play'st
Sonnet 129. The expense of spirit in a waste of shame
Sonnet 130. My mistress' eyes are nothing like the sun

Sonnet 131. Thou art as tyrannous, so as thou art
Sonnet 132. Thine eyes I love, and they, as pitying me
Sonnet 133. Beshrew that heart that makes my heart to groan
Sonnet 134. So, now I have confess'd that he is thine
Sonnet 135. Whoever hath her wish, thou hast thy 'Will,'
Sonnet 136. If thy soul cheque thee that I come so near
Sonnet 137. Thou blind fool, Love, what dost thou to mine eyes
Sonnet 138. When my love swears that she is made of truth
Sonnet 139. O, call not me to justify the wrong
Sonnet 140. Be wise as thou art cruel; do not press

Sonnet 141. In faith, I do not love thee with mine eyes
Sonnet 142. Love is my sin and thy dear virtue hate
Sonnet 143. Lo! as a careful housewife runs to catch
Sonnet 144. Two loves I have of comfort and despair
Sonnet 145. Those lips that Love's own hand did make
Sonnet 146. Poor soul, the centre of my sinful earth
Sonnet 147. My love is as a fever, longing still
Sonnet 148. O me, what eyes hath Love put in my head
Sonnet 149. Canst thou, O cruel! say I love thee not
Sonnet 150. O, from what power hast thou this powerful might

Sonnet 151. Love is too young to know what conscience is
Sonnet 152. In loving thee thou know'st I am forsworn
Sonnet 153. Cupid laid by his brand, and fell asleep
Sonnet 154. The little Love-god lying once asleep

Project Management

GANTT CHART

A Gantt Chart is a type of bar chart that illustrates a project schedule. Gantt charts illustrate the start and finish dates of the terminal elements and summary elements of a project. Terminal elements and summary elements comprise the work breakdown structure of the project. Some Gantt Charts also show the dependency (i.e, precedence network) relationships between activities. Gantt charts can be used to show current schedule status using percent-complete shadings and a vertical "TODAY" line.

Although now regarded as a common charting technique, Gantt charts were considered revolutionary when they were introduced. In recognition of Henry Gantt's contributions, the Henry Laurence GAntt Medal is awarded for distinguished achievement in management and in community service. This chart is used also in Information Technology to represent data that has been collected.

Advantages and Limitations

Gantt charts only represent part of the triple constraints of projects, because they focus primarily on schedule management.

Moreover, GAntt charts do not represent the size of a project or the relative size of work elements, therefore the magnitude of a behind-schedule condition is easily miscommunicated. If two projects are the same number of days behind schedule, the larger project has a larger impact on resource utiization, yet the Gantt does not represent this difference.




WORK BREAKDOWN STRUCTURE (WBS)

A tool used to define and group a project's discrete work elements (or tasks) in a away that helps organize and define the total work scope of the project.

A work breakdown structure element may be a product, data, a service, or any combination. A WBS also provides the necessary framework for detailed cost estimating and control along with providing guidance for schedule development and control. Additionally the WBS is a dynamic tool and can be revised and updated as needed by the project manager.

The work BREakdown Structure is a tree structure, which shows a subdivision of effort required to achieve an objective; for example a program, project, and contract. In a project or contract, the WBS is developed by starting with:

• the end objective and
• successively subdividing it into manageable components
• in terms of size, duration, and responsibility (e.g., systems, subsystems, components, tasks, subtasks, and work packages)
• which include all steps necessary to achieve the objective
  

S-CURVE

Important project management tool. They allow the progress of a project to be tracked visually over time, and form a historical record of what has happened to date. Analyses of S-Curves allow project managers to quickly identify project growth, slippage, and potential problems that could adversely impact the project if no remedial action is taken.

How is an S-Curve Generated?

To generate a Baseline S-Curve, a Baseline Schedule is required. The Baselline Schedules should contain the following information for each task:

• Baseline Start Date, Finish Date
• Baseline Man Hours and/or Costs
  

To generate Actual and Target S-Curves, a Production Schedule is required. The production schedules should contain the following information for each task:

• Actual Start Date, Finish Date
• Actual Man Hours and/or Costs
• Actual Percentage Complete
  

PERT/CPM

The final network models we discuss are the PERT and CPM models for project scheduling. The successful management of large projects, be the construction, transportation, financial, or what-have-you, relies on careful scheduling and coordinating of various tasks. CPM (Critical Path Method) and PERT (Project Evaluation and Review Technique) attempt to analyze project scheduling This allows for better control and evaluation of the project.

CPM and PERT have been used in a wide variety of projects , from designing and producing computers to scheduling a complex surgery. The essential ideas behind these techniques are quite straightforward

CPM uses a project network to portray graphically the relationships among the tasks in a project.

Each arc of the project represents a task, or activity. This is the activity on arc(AOA) representation. Each node represents an event. The direction of the arcs gives the sequences in which activities must be achieved. An event must precede the beginning of succesive activities, and an event occurs only when all the activities immediately preceding it occur.

The Program Evaluation and Review TEchnique (PERT) is a network model that allows for ramdomnes in activity completion times. PERT originally was an activity on arc network, in which the activities are represented on the lines and milestones on the nodes. OVer time, some people began to use PERT as an activity on node network.

Daily Top 5 Ngayon at Hindi Kahapon

"Daily top 5 ngayon at hindi kahapon" is one of Campus Radio's Programs who's top priority is the listener's most requested songs. Here in this program, the Disc Jock ranks FIVE of the most demanded songs both foreign and local and in any given genre. The said program comes about every Monday to Saturday, 12 noon until 1 PM (Philippine Time). Assigned during that time from Monday to Thursday and Saturday is Papa Joey while Papa Dick takes over every Friday when Papa Joey is having his day off. Also equpped in the program are widely known disco and slow hits, local or foreign, of the 70's, 80's and 90's.

This will be our ranking for Today's
Daily Top 5 Ngayon at Hindi Kahapon..

5. This is me - ung isang version papa dick
4. Kung sakali - Ogie d Pogi
3. Sa'yo lamang - Aiza Seguerra
2. Yugto - Rico Blanco
1. Paano na kaya - Bugoy

(Kung gusto mo Papa Dick, iClick mo rin ung advertisement ng Google sa Web page na to,
hayaan mo, di ako kikita dun. Heheehe..)

Theory Of Database Systems (Assignments)

Assignment: Create a Database that will determine an ODD number of Inventory. Use the tblingredients table.
























SELECT ([inventory] MOD 2) AS ODD, *
FROM tblingredients;

/*through the use of this query which can determine the ODD number inventory
by means of the MOD function built in Microsoft Access*/









SELECT ingredientid, name, unit, unitprice, foodgroup, inventory, vendorid
FROM qrymod1
WHERE odd = 1;

/*This gives us the result of the specified ODD numbered inventory at TBLingredients*/

Theory Of Database Systems

Sample Queries

SELECT tblvendors.vendorid, name,
companyname]

FROM tblvendors, tblingredients

WHERE tblingredients.vendorid =
tblvendors.vendorid






SELECT name

FROM tblingredients, tblvendors

WHERE tblingredients.vendorid=tblvendors.vendorid And
companyname='Veggies_R_Us';





SELECT tblstores.storeid, price
FROM tblorders, tblstores
WHERE tblorders.storeid = tblstores.storeid
AND state = 'CA';













SELECT state, SUM(price) AS [Sum]

FROM tblstores, tblorders

WHERE tblstores.storeid=tblorders.storeid

GROUP BY state;





SELECT v.vendorid AS ["Vendor ID"], name

FROM tblingredients AS i, tblvendors AS v

WHERE i.vendorid=v.vendorid And v.companyname In ('Veggies_R_Us','Spring Water Supply')

ORDER BY v.vendorid;




SELECT DISTINCT mi.name, price

FROM tblingredients AS i, tblvendors AS v, tblitems AS mi, tblmadewith AS mw

WHERE i.vendorid=v.vendorid And i.ingredientid=mw.ingredientid And mw.itemid=mi.itemid And
companyname='Veggies_R_Us';





SELECT companyname, MAX(price) AS prices

FROM tblingredients AS i, tblvendors AS v, tblitems AS mi, tblmadewith AS mw

WHERE i.vendorid=v.vendorid And i.ingredientid=mw.ingredientid And mw.itemid=mi.itemid

GROUP BY v.vendorid, companyname;




SELECT DISTINCT (companyname)

FROM tblingredients AS i, tblvendors AS v,
tblitems AS mi, tblmadewith AS mw

WHERE i.vendorid=v.vendorid And i.ingredientid=mw.ingredientid And mw.itemid=mi.itemid And mi.name='Fruit Plate';





SELECT v2.companyname

FROM tblvendors AS v1, tblvendors AS v2

WHERE v1.vendorid = v2.referredby AND
v1.companyname = 'Veggies_R_Us';





SELECT i.name, m.name
FROM tblitems AS i, tblmeals AS m, tblpartof AS p
WHERE i.itemid = p.itemid AND p.mealid = m.mealid;








SELECT i.name
FROM tblingredients AS i, tblmadewith AS mw
WHERE i.ingredientid = mw.ingredientid AND inventory = quantity;






SELECT ingredientid
FROM tblingredients, tblvendors
WHERE name = companyname;


















SELECT *
FROM tblmeals, tblpartof;






SELECT m.name AS meal, i.name AS item

FROM tblmeals AS m, tblpartof AS p, tblitems
AS i

WHERE m.mealid = p.mealid AND i.itemid = p.itemid;






SELECT *

FROM tblmeals AS m1, tblmeals AS m2;








SELECT m.name AS meal, i.name AS item

FROM tblmeals AS m, tblpartof AS p, tblitems
AS i

WHERE i.itemid = p.itemid;










SELECT tblitems.name, ing.name

FROM tblitems, tblmadewith AS mw,
tblingredients AS ing

WHERE tblitems.itemid = mw.itemid AND mw.ingredientid = ing.ingredientid AND (3 * mw.quantity) > ing.inventory;





SELECT a.name

FROM tblitems AS a, tblitems AS q

WHERE a.price > q.price AND q.name = 'Garden Salad';





SELECT DISTINCT (i.name)

FROM tblitems AS a, tblitems AS q, tblmadewith AS m, tblingredients AS i

WHERE a.price > q.price AND q.name = 'Garden Salad' AND i.ingredientid = m.ingredientid AND m.itemid = a.itemid;










SELECT i1.name, COUNT(*) AS rank

FROM tblingredients AS i1, tblingredients
AS i2

WHERE i1.name >= i2.name

GROUP BY i1.ingredientid, i1.name;











SELECT name

FROM tblingredients AS i INNER JOIN tblvendors AS v
ON i.vendorid=v.vendorid

WHERE v.companyname='Veggies_R_Us';